josé ortega y gasset the dehumanization of art

Ortega’s intellectual prestige together with his influence as a publisher made him a respected and powerful figure. Trip by Pío Baroja to Granada with Ortega y Gasset and Domingo Barnés.

Ortega directed the publication from the first issue until the beginning of the Civil War. But his great editorial contribution came with the founding in 1923 of the Revista de Occidente, a publication of profound intellectual rigor in which the main authors of the most influential currents in thought and science collaborated. In the latter, which appeared in 1917, he published two of his best-known works in installments, Invertebrate Spain and The Rebellion of the Masses.

The philosopher was editor and contributor, respectively, of the magazine España, which was published between 19, and the newspaper El Sol.

He was closely linked to the world of journalistic publishing, thus continuing the tradition started by his grandfather Eduardo Gasset, who had founded El Imparcial. In 1910, he married Rosa Spottorno (1884-1980).Īn incident in December 1924 during a visit to Granada, where he had been invited to give a lecture, provoked a unanimous reaction of support in which Federico García Lorca intervened. He received his doctorate in philosophy in 1904 with a thesis on The terrors of the year one thousand he furthered his studies in Germany where he was influenced by neo-Kantianism. He studied at the universities of Deusto and Central in Madrid. Ortega was born into a family of the high bourgeoisie of Madrid. Ortega’s publishing house also published Canticle by Jorge Guillén, Safe Chance by Pedro Salinas and Quicklime and Song by Rafael Alberti. In addition, in 1928, one of his most influential books, Gypsy Ballads, appeared under the publisher’s imprint, in a small-format edition that sold out immediately. Federico García Lorca himself signed some poems after his arrival in Madrid both in the magazine España, which Ortega directed, and in the Revista de Occidente. The Revista de Occidente, directed by Ortega, as well as the publishing house of the same name, opened generously to new creators. His influence also permeated the young generation of writers linked to the Generation of ’27, although the social commitment of many of them contradicted Ortega’s idea of replacing “reality with metaphor” set forth in The Dehumanization of Art (1925). The influence of his ideas, expressed in books and articles, can be traced in almost all areas of art, politics and thought. He was born in Madrid on and died in the same city on October 18, 1955. Philosopher and essayist located in the Novecentismo cultural movement, of great influence in Spain in the first third of the twentieth century.

José ortega y gasset the dehumanization of art